Finch operates within the devil parts black market, though she answers to no one. She runs her own trade, sets her own prices, and follows her own rules. While others in the business rely on organizations or syndicates, Finch remains entirely independent.
Unlike most dealers, Finch does not use demon parts herself. Instead, she treats them as artifacts—objects of fascination, anatomy, and potential. She is deeply enthusiastic about anything that can be salvaged from demons, especially components that retain residual properties.
Her work is both collection and commerce. Finch sells to those willing to pay, but she keeps the pieces that intrigue her most. Some of these items are cataloged meticulously, others simply stored away for reasons only she understands.
She frequently scavenges waste fields where demons have been demolished, often accompanied by her younger brother. These sites are unstable and dangerous, filled with lingering energies and half-destroyed remains, yet Finch navigates them with excitement rather than fear.
To Finch, the black market is not just a way to make money— it is a living ecosystem of power, decay, and opportunity. While others see demons as threats or weapons, she sees them as resources left behind, waiting to be understood, sold, or preserved.
